Cemetery Statues of Grief

According to the dictionary, grief is “a deep sadness, sharp sorrow, keen distress, or mental anguish, caused especially by someone’s death.”

Grieving Woman

Put another way, grief is a natural response to the emotional suffering when you experience the loss someone you love - The more meaningful the loss, the more deep the sorrow. It’s no wonder we find so many symbols of grief personified in the cemetery.

There are several famous statues depicting grief.

The Angel of Grief

William Wetmore Story

William Wetmore Story originally sculpted this statue, known as “The Angel of Grief”, for his and his wife’s graves in Italy. It has been re-carved countless times and appears on graves around the world.

Grief

Another well-known grieving statue is The Adams Memorial located in Rock Creek Cemetery in Washington, D.C. The statue was caved for the grave of Henry Adams wife. Augustus Saint-Gaudens was the sculptor and he called the bronze figure, “The Mystery of the Hereafter and The Peace of God that Passeth Understanding.” The public called it “Grief.”

Franklin Simmons

Peace Monument

The Peace Monument also known as the Naval Monument or the Civil War Sailors Monument in Washington, D.C. is often shown to depict grief and sorrow. Sculpted by Franklin Simmons, the two female statues represent Grief, who is weeping against the shoulder of History.

Here are a few more which symbolize the loss and mourning of those left behind.

Angels

Angels are often shown in poses of grief and sorrow. They are God’s messengers and intercede on behalf of humans. Angels can be found weeping, mourning, or scattering the petals of life.

Weeping Angels:

Mourning Angels:
























Scattering Life's Petals:

Cherubs

Another portent of sorrow are cherubs. Victorian and modern Cherubs have been humanized and blurred with Putto so they are now shown as pudgy babies, or toddlers with wings. They are usually placed at a child’s grave.

Children

The death of a child has always been heartbreaking. In the cemetery, children’s graves may be marked with lambs, dead doves, cherubs, or in some cases, the children themselves are shown mourning their loss of life.

Women in Mourning

Women are the mourners of the human race: the ones who are expected, and allowed, to express emotions. It is their presence in the cemetery that connotes sorrow and grief at the loss of a loved one.

Sitting Women Mourners:

 

Kneeling Women Mourners:

 Women Mourners Standing:

Draped Columns

Used mainly in the late 19^th and early 20^th centuries, a column symbolizes a nobly life. Draped material over the column represents the fabric draped over the coffin and signifies grief and mourning.

Grief in Bellefontaine Cemetery

But for all of the statues in mourning that can be found in a cemetery, there are also statues of that indicate confidence and courage. Next week, we will examine those Statues of Hope.

And, a special THANK YOU to all of you:

Tomorrow will mark the 3^rd Anniversary of A Grave Interest. If you enjoy what you find here, please “Follow” on Blogger and Twitter, “Like” on Facebook, Share on Google+, and share with your friends.  Thanks for reading, and expect more cemetery marvels to come!

~Joy

The Black Aggie

Agnus Statue - Black Aggie

The Black Aggie is a cemetery statue surrounded by myth and legend.  When it was placed upon the grave of General Felix Agnus in Druid Ridge Cemetery in Pikesville, Maryland, the statue immediately stirred controversy and superstition among the locals.

Felix Agnus was a Civil War Union Brevet Brigadier General and owner/publisher of the Baltimore American newspaper.  Agnus was also one of the original members of the Associated Press. He died on Halloween - October 31^st, 1925 and was buried under the petulant gaze of what became known as 'Black Aggie.' But Agnus was not the first to have this image guard his grave. 

Marian 'Clover' Adams

The original sculpture was created by the famous American artist, Augustus St. Gaudens.  He was commissioned to create a statue for the grave of Marian ‘Clover’ Hooper Adams by her husband, Henry.  Adams wanted a sculpture that embodied the Buddhist concept of nirvana: “release from the cycles of life and death, desire and pain.”  It was to memorialize his wife who had committed suicide in 1885. Six years later, in 1891, the statue was placed on her grave in Rock Creek Cemetery in Washington, D.C.

Adams Memorial - 'Grief'

St. Gaudens sculpted a shrouded figure in bronze, sitting, eyes closed, with its back against a granite wall. He called the work “The Mystery of the Hereafter and the Peace of God that Passeth Understanding.”  Henry Adams wanted it known as the Adams Memorial. The public simply called it “Grief.” 

The Face of 'Grief'

The sculpture has been described as mysterious, beautiful, moody, and haunting. The result of the shadows cast by the changing light during the day make the face inside the cowl appear to take on different expressions.

American Art Museum

Replica of Adams Memorial

The Adams Memorial is said to be one of St. Gaudens most original and beautiful works.  It was listed on the National Register of Historic Places in 1972.  A replica of the Adams Memorial – the life-sized, genderless statue, was cast in 1969 for the Smithsonian American Art Museum.  It can be seen on the second floor, in the east wing of the museum.

Agnus Copy

The Agnus statue was an unauthorized copy of the Adams Memorial, created by sculptor Eduard L.A. Pausch. General Agnus purchased the unauthorized copy of “Grief” in 1906.  He had it erected on the family’s plot in Druid Ridge Cemetery after his mother’s remains were shipped from France and buried there in 1907.

Grass Would Not Grow...

Black Aggie

While there is little in the way of legend that surrounds the Adams Memorial, the Agnus sculpture is rife with superstitions.  Tales abound of the Black Aggie walking Druid Ridge Cemetery at night; legend has it that grass would not grow in the statue’s shadow, and that the menacing eyes glowed red at the stroke of midnight.  Many said that the spirit of Marian Adams inhabited the statue.

Smithsonian Institution

The urban legends grew and visitors flocked to the cemetery, mainly after hours, to see the Black Aggie. Some tried to spend the night sitting on 'her' lap, others were said to have been found dead near the statue.  Vandalism grew rampant and the Agnus statue had to be removed from the cemetery.  The Agnus family decided to donate it to the Smithsonian Institution in 1967. 

Back of Agnus Pedestal

Agnus Pedestal Today

Today, the Agnus plot retains the empty granite pedestal.  All that remains is a faint outline where the Black Aggie once rested. A bronze sculpture of Felix Agnus’s face hangs on the back of the granite stone.

Dolley Madison House

The Smithsonian placed the Agnus statue in storage where it remained for years before being given to the General Services Administration.  In 1987, it was placed on display in the rear courtyard of the Dolley Madison House on Lafayette Square in Washington, D.C.

Black Aggie Today

Black Aggie remains there today, now looking more serene than menacing as 'she' contemplates life and death from a seat among the trees, with a shrouded point of view.

~ Joy